Science

TV. Netflix: will Leonardo DiCaprio and Jennifer Lawrence save the world?

Any resemblance to reality is not accidental. The story of Don’t Look Up: Cosmic Denial is not true, but it could be if one believes in Adam McKay, a non-pessimistic but forward-thinking filmmaker, the best observer of what is destroying America. The financiers in The Big Short: the heist of the century (2015), about the subprime mortgage crisis, and the calculating politicians in Vice (2018), a scathing portrait of Dick Cheney, who was George W. Bush.

In Don’t Look Up: Cosmic Denial, the bad guys (or idiots, it’s the same thing) are Meryl Streep and Mark Rylance. Meryl Streep, it’s the political side: she’s Janie Orlean, the hyper-brushed president of the United States, all at the same time stupid, inconsistent, dangerous. A feminine Donald Trump, even under his cap. Just as the former Republican president brought his daughter Ivanka Trump back to the White House, she is flanked by her idiotic son, played by Jonah Hill. A cartoon of Trump Jr.

The ghost of the late Steve Jobs

The other villain in the story, Peter Isherwell (Mark Rylance), is a master of the technological, powerful and totalitarian world. Their algorithms know everything about you. He intends to own everything and everyone, even our brains. Organize the presentations of your products during the main media shows. Did you recognize this man? It’s Steve Jobs, the former boss of Apple. Mark Rylance dubs him in haunting mimicry, until he acquires a voice that resembles him.

In Don’t Look Up, Rylance extends Jobs’s dream: to create a world beyond his limits. There’s something about this character of Elon Musk, the millionaire founder and CEO of the private spaceflight company SpaceX, of which Jobs was one of the heroes.

The parody is fierce and these psychopaths, disturbing. With them, we go straight to the wall, says Adam McKay, who paints a scathing portrait of a mindless America. The media and social networks are not immune from stagnation. Cynical and carefree, Cate Blanchett, in front of a great newscast, embodies a society of the spectacle that watches the world fall apart and congratulates herself that the worst is making the public climb. Ariana Grande is an influential oyster IQ bimbo.

And the good ones? Played by Jennifer Lawrence and Leonardo DiCaprio, two astronomers who warn of a falling planet-killer comet hitting Earth, they are on the brink of a nervous breakdown and reduced to absorbing tons of anxiolytics. In this America where power is in the hands of ignorant people, narcissists, superficial icons, integrity, and intelligence lead to exhaustion and anger.

Don’t Look Up will be understood to be a disaster film in desperate farce form. Everything seems so true, everything looks so good, so well shown, that we laugh at it, yes but dark. It’s as twisted as it is creepy. And full of burlesque: Leonardo DiCaprio loses his fake glasses. Adam McKay establishes himself as the only Hollywood director capable of making political films as funny as they are profound.

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